Poor Supergirl. She never can seem to settle on a proper supporting cast of her very own. Sure, all comics superheroes go through endless permutations — power changes, costume changes, forgettable one-off villains — but always there is some sort of baseline to come back to. Always there is at least a mentor, or best friend, or love interest that recurs in every incarnation. And always, always a nemesis. A hero that doesn’t manage to establish a proper rogues gallery is bound to falter.
Supergirl, in her capacity as a spin-off hero, has a tendency to inherit Superman’s cast-offs. Now, this is not necessarily a bad thing, characters can grow and change and develop new roles in the mythology, when discharged from their role as third-tier Superman hangers-on. A few years ago, pre-New 52 when I was still following the ongoing Supergirl title, this was done to moderately good effect with Lana Lang. As an ex-love interest, the Superman comics didn’t really have room for her. Unfortunately, I was never really sold on the connection between them, and why Lana would specifically seek Kara out.
Other characters from that run stuck better, it seems. The Supergirl TV show has a couple of original supporting cast, but is replete with third-tier Superman characters, as well as ambiguous Checkmate-aligned Maxwell Lord. Side note: having Maxwell Lord in Supergirl and then notcrossing over with Legends of Tomorrow would be a crying shame. Still, it seems like the creators of the show are intent on keeping Kara firmly connected to the Superman mythos, while situating her in her own hometown with her own concerns.
I’m glad to see Kara getting a robust TV presence, even if the themes are lightweight and the dialogue is clunky. Granted, my enjoyment of the show — or any contemporary Supergirl comics — will always be capped by my own unnecessarily specific ideas for exactly what Supergirl should be. Of course, that point is largely moot, since the most recent iteration of Kara Zor-El had her ongoing title cancelled some time last spring. Not that I’m terribly worried, DC has the good sense to make sure that they have something on the shelves ready for fans of the show to pick up. Probably.
But the depth-problem is that each new volume (the most recent being the sixth) will have its own set of writers and artists sweeping in to “redefine” the character, without anyone having any idea of what exists at her core. Except me, obviously. All that means is that different iterations will have wildly different approaches. Of course, most comics superheroes go through this, but when Superman starts wearing T-shirts and punching people, everybody and their cryo-frozen cousin has an opinion on whether or not this is the “real” Superman.
The core of the problem, I think, is that very few Supergirl writers seem to have started out as readers. The TV show, curiously, might finally be an exception to this. If I had to guess, I’d say there’s at least one person in that writers’ room that read and enjoyed the Sterling Gates run — my own favorite, incidentally. Despite many flaws. Ultimately, comics continuity and the snarls that come with it are part and parcel of forming a superhero mythos, and they need to be formed out of an amalgam of more than one writer’s ideas about who Kara Zor-El really is.
The core idea behind the TV show, aside from Supergirl’s ongoing efforts to achieve an independent reputation, seems to be that Kara, unlike Clark, actually remembers Krypton. This, I think, is a good start. How it progresses remains to be seen.
Crossposted to Dreamwidth.