Month: November 2016

A Question on Horror at Icon 2016

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Icon 2016, the yearly science fiction and fantasy convention, took place this year on 18-20/10. This year my participation was relatively modest, partly due to circumstances and largely due to my delusion that I could get some writing done during the holiday. Consequently I only attended about four events, one of them a panel on dark fantasy with guest of honor Charles Stross, alongside Rani Graff and Ehud Maimon, moderated by Didi Chanoch.

There’s something curious about attending a lecture or panel by an author whose works you’ve never read. On the one hand, I’ve been attending Israeli SFF conventions for years, and it’s important to me to look for the events that won’t be here next year. Anything involving a guest of honor certainly qualifies. I still find myself astonished now and then that our local conventions keep managing to lure international guests, year after year. On the other hand, I always feel a little self-conscious, listening and participating, when I lack the basic context of familiarity with the author’s work.

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Into the Maw of Despair – Sunless Sea: Zubmariner DLC

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A zubmarine docks in the port of Wrack, a city built out of shipwrecks.

The world of Fallen London was yet again enriched this month with the release of the long-awaited Zubmariner DLC for Sunless Sea. A stretch goal of the Sunless Sea Kickstarter campaign, Zubmariner promised to expand on the hints of sub-aquatic travel lore already present in Fallen London, and take players to a deeper and darker place than ever before. As the surface of the Unterzee already features sea-urchins from space who speak the language of stars, and a malevolent living mountain that’s can’t be permanently killed, it seemed a tall order. Still, the early promotional materials were intriguing to say the least, so as a KS backer myself I was very ready to be hyped.

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NaNoWriMo 2016

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Tomorrow November begins, and with it NaNoWriMo, the yearly celebration of writers getting together and vowing to hold each other accountable to one promise: write fifty thousand words in a month. I tried participating in NaNoWriMo once or twice in the past, about ten years ago. Although I had free time aplenty and I pushed hard on my novel idea, of which I was very fond, I didn’t win either time. Neither did I get a complete manuscript from it. In fact, I’ve never successfully completed a novel.

For a while, this was a source of great stress to me. When I envisioned my writerly future as a kid, it involved a shelf lined with books with my name on them, and the books were invariably fantasy novels. Novels were are are most of what I read. I didn’t adjust to regularly reading short fiction until quite recently, and I learned pretty quickly that it’s no use trying to write something that you don’t read. Every fiction magazine will quite rightly expect you to read a few of its issues before you even consider submitting.

Last year during NaNoWriMo I was unemployed and dedicating myself to writing more or less full-time. Ostensibly, that would have been the perfect time in which to make my next attempt. But I had determined that my mind was shaped for short fiction, and I was making my stand on a fictional universe built out of interconnected short stories. It was a fairly bold project in its scope, and ended up being less of a success than I’d hoped, creatively or otherwise. It did force me to stretch my muscles, though, and I learned a great deal about what was missing from my writing toolbox.

Now I have determined that it’s time to make a similar attempt, but more consciously. Going into November, I hope to put down fifty thousand words of continuous narrative, but I don’t fully expect to get a novel out of it. In fact, since I’m entering the race with almost no preparation, I expect the result to be rather an inelegant mess. My challenge right now is nothing more complicated than to start at the beginning and make it all the way to the end. It just so happens that this is one of my major vulnerabilities as a writer, and I’m beginning next month’s challenge partly in order to address this unacceptable gap in my toolbox.

Another challenge I’ve set myself is to write unselfconsciously, to turn off the inner editor, which is exactly what NaNoWriMo is designed to do. I like to produce polished material, of course, but as the saying goes, perfect is the enemy of done. Turning off the inner editor means you relegate her job to an outer editor, which is the person most qualified for the job to begin with. I hope this drive for unselfconsciousness will help me touch on some more sensitive issues, that I have been avoiding writing about for a long time.

Meet me back here in a month or so to see what sort of results this experiment produced.

Crossposted to Dreamwidth