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I adore the world of the Echo Bazaar, the world of the Neath, damned to a shadowy existence both literal and figurative. Horror isn’t usually my jam, but this world has undeniable character and a creepy kind of charm. I’ve played Fallen London, on and off, for a while. Though I was initially very enthusiastic about it, I found the game mechanics wearying and never progressed as far as I liked. As such, I was terribly excited when Failbetter Games announced Sunless Sea, a desktop game exploring a new, wider horizon of their addictive fictional realm.
As a Kickstarter backer, I got access to the earlier, incomplete (and sometimes buggy) versions of the game. Not surprisingly, it was an up-and-down journey. The earliest versions had a somewhat notorious problem raising enough cash to buy fuel and supplies. Sometimes, just as I was setting out, only starting to get comfortable with my explorations, a new update would throw me for a loop. At one point map-shuffling was introduced which, at a stage of development when many map tiles were blank, was a major challenge to the player.
Still, new content kept coming out, expanding and improving the game, and I knew that eventually one of my captains would survive long enough, and raise enough cash, to reach the later stages of the game’s many quests. The major thing that changed this perception was the Steel beta. Sunless Sea updates were rolled out in batches, coded by color. The Steel update was added to the development plan rather late, and hadn’t been part of the Kickstarter game concept. It changed the game’s combat system from a turn-based mini-game to an integrated, time-sensitive style.
I wasn’t enthused for the Steel update. I don’t do well with time-sensitive portions of games, and I had been generally pleased with the turn-based combat, except for the over-abundance of low level opponents at mid-level gameplay. Naturally, I did want to give it a chance. I was a little apprehensive because I was launching a mid-level captain into a situation where I didn’t know if I’d be able to defeat (or survive) mid-level zee monsters. Even though I was resolved to give the Steel beta a chance, the game I was playing became less relaxing and less fun.
I didn’t play for very long after the Steel update. I had no intention of abandoning Sunless Sea altogether, even though, with the number of hours I’d already sunk into it, I’d definitely gotten my money’s worth. Because the game was in beta, I decided it would be better to wait and see whether future updates would compensate for the change I was so impatient with. I had little interest in re-learning combat, to begin with not my favorite part of the game. If my screenshots folder can be taken as reliable witness, I swore off the game for a little over a year. It was only lately that I picked it up again.
A lot can happen in a year. The game I launched three weeks ago was very different from the game I’d played pre-Steel. A little disorienting, with certain features having been removed or replaced with more elaborate, dynamic variations. But overall, the game benefited from a huge addition of content. The early parts of the game were still a trial, and I did find myself consulting more than one informal player’s guide. At least, though, the game no longer felt unplayable — or playable, but not enjoyable. Combat remained fairly stressful in the early stages of the game, but then I’ve always been a gun-shy game player.
After three weeks of intense preoccupation, my third captain achieved her life’s ambition to write the zong of the zee, and I achieved the much more modest ambition of making peace with the Sunless Sea combat system.
Crossposted to Dreamwidth.
Not sure exactly how I got on to the Dark Parables series, or hidden object games, or the Big Fish games interface. All I know is, I started playing them sometime last year, tore through the whole series, and swapped part-way through to buying the extra-features collector’s editions. I started getting really excited for new releases and then… the excitement dissipated a little.
From the top:
Blue Tea Games is a game studio that puts out primarily “hidden object” games, where the plot is moved along by a series of small puzzles, most of which involve picking out specific objects from a cluttered scene. I find this a fantastic game genre for me, since it provides a very relaxing level of challenge and generally comes in games with beautiful art and music. What’s more, HOGs pretty commonly come with several different difficulty levels, of which I usually select the middle one. Many of the really good games have thematic objects hidden throughout, and discovering all of them is a fun extra challenge.
One of Blue Tea‘s most exciting series is/was the Dark Parables games. This is a series of adventures in which a nameless protagonist called “the Fairy-Tale Detective” investigates strange, magical occurrences all over the world, only to discover the source of the mischief to be a fairy-tale character run amok. The twist that draws you in is that the fairy-tales are mashed up, crossed over and fused rather liberally, which allows certain characters to serve multiple roles in different stories. If you were personally insulted by not being able to like Once Upon a Time, you might find these games comforting.
The games have a rough chronological order and playing them out of order gives mystery spoilers. Generally, though, that’s not really the main draw. They are beautifully drawn, intricate and rich with details and motifs. The visual language of the games is distinct and recognizable and truly, to me, the very best thing about them. Unlocking the titular “parables” gives a little insight into how the original tales were forged into an amalgam.
The characters are fun but not very deep. The villains are frequently heroic characters turned dark by adverse circumstance, and last-minute redemption is pretty common. In addition to the fairy tale amalgams, the games add some original characters, of which my favorite is undoubtedly Queen Ivy, Briar Rose’s sister.
I played the games out of order beginning with Rise of the Snow Queen, before tracking back to the first game, The Curse of Briar Rose to get the full experience. Given my love for the games’ aesthetic, the entries I remember most fondly are The Exiled Prince, about the curse of frog prince, and The Ballad of Rapunzel, which adds my other favorite original character.
After the Rapunzel game, Blue Tea apparently sold the whole brand to a game studio called Eipix. Quite coincidentally, while googling around for game information, I discovered that I am not the only fan of the games who was less enamored of their two most recent additions. A trailer for a third game has been released, so I am waiting to see if I feel better about that one.
Meanwhile, I replay some of the earlier games in an attempt to catch all of the extras and bonuses, and use earned credits to upgrade the regular versions to collector’s editions. However, I am due to replay The Little Mermaid and the Purple Tide, since I seem to remember very little of it. Of all the hidden object games that I’ve played through the Big Fish app, the Dark Parables games are still by far my favorites.
Crossposted to Dreamwidth.